Thứ Bảy, 23 tháng 6, 2012

Acting Coach in Los Angeles- Lifelike Characters

By Kirk Baltz


True actors are not created in one day. Training with acting coaches or participation in acting classes can help actors to acquire much needed skills to aid them in improving in their craft. One of the most necessary and yet difficult components of great acting is learning to rip past the facade that covers the actors themselves and the characters they create to reveal the true identities within.

Each person and character alike is multi-faceted as opposed to being one-dimensional and static. These facets include the inherent insecurities and fears that are integral in forming our personalities, the persona that we adopt to conceal these vulnerabilities, as well as the tragic flaw. Training with an acting coach can both aid the actor in discovering these dimensions in himself as well as allow him to utilize these personal traits to create very real characters.

According to the works of Carl Jung, humans form their exterior or public personas as a means of exuding a feeling of strength and stability to the world so as to conceal weaknesses buried within. This persona is exemplified in all areas of our lives, from how we move to the way we speak and interact with others. Similar to actual persons, characters develop public personas that must be unraveled and good acting workshops are designed to teach students how to accomplish just this.

There is no question that an individual's vulnerabilities are often buried deep beneath the surface, making the public persona seem like the dominant characteristic. However, the true identity of a person dwells within the difficulties, insecurities, and vulnerabilities that inevitably work to form each individual. Acting coaches are trained to teach actors to come face to face with their own childhood fears and issues in order to create a truly believable character with great depth and dimension.

That which affects us in childhood remains a part of our lives until the day we die, whether we allow it to surface or not. Both actors and the characters they create form their public personas as a means of defending themselves from these insecurities. Covering up these vulnerabilities under a shield of stability is our means of appearing strong rather than helpless to others.

The mark of a great actor is his or her ability to dig past both their own and their character's public persona to the actual person within. Only in this way can characters be made so they can be related to.

Every member of the audience has both a public persona as well as a deeper substance that has worked to create the exterior. Although many audience members may not be aware of the fact, creating multi-faceted characters is guaranteed to form a relationship between viewer and character. The exceptional actor is one who is able to create such a character.




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